Cargo – *

Posted: October 14, 2018 in 2017, Drama, Flanders, X

The trailer is promising. Really promising. The setting (fishermen at sea and in the harbour) looks like a visual treat. The drama looks gripping (brothers arguing about the future of the fisherman’s ship). The thrills look exciting (there’s even a fire!). The soundtrack is very accompanying.

However,

this movie is one rotten fish.

It’s a visually interesting movie. But scenes are cut short. Less dialogue! More longshots! The dialogue is terrible. Maybe West-Flemish isn’t the most poetic of all languages (it’s mine) and maybe the sons of a fisherman aren’t all that educated, but still…that’s no excuse to have people bark out ridiculous lines. Better not have them speak at all. The best scenes are mute. The touching of the hands between father and son, the mesmerizing glare into the north sea… There are only a few characters, but half of them are annoying and all them kill every scene once they start talking.

If you make a movie in West-Flemish, you’ll always come across the same actors. Sebastien Dewaele and Sam Louwyck show a different side to their acting and make it kinda work. The latter may stop playing unsympathetic characters though. The former is the best thing in this movie. But somehow they don’t get the chance to fully explore their characters. They are both sons of a dying fisherman. They clearly don’t like each other. One has been in prison and has a drug addiction. The other has been working as a fisherman all his life and had no idea that the family business had been in debt for years. This clash could have been documented much better.

But the storytellers decided to add a third brother, a closeted gay character, who goes to a Berlin-like gay dungeon club (In Oostende??? Please, they don’t even have a club like that in Antwerp or Brussels) to have anonymous sex. He also has an affair with a transmigrant waiting to get across the Channel to England. Wim Willaert does such a terrible job depicting this character. He acts just like he acts in Eigen Kweek, with the same whining voice, the same gestures, the same sensibility. It’s annoying. There’s no need for this character. I get it, it’s a way to introduce the transmigrant story, but still. They could have found a different way.

This movie had so much potential, but the script and the dialogue ruin it all. But at least they got enough funding! Make a movie about a declining historical regional profession –> funding. Make a movie about a hot topic –> funding. Add an lgbt character –> movie festival selection. Add a French actor –> international funding.

Disappointing

www.imdb.com/title/tt5492502

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