Archive for the ‘1 – Genre’ Category

Season 2 is fun. Some episodes are excellent. Great comfort tv in corona times. The interaction between Will and Carlton is the best. Geoffrey has good one-liners. Uncle Phil is pretty funny in all his seriousness. Hilary can be hilarious. And the rare moments you see Jazz, he’s great. A lot of new characters are introduced, especially the expanded family of Vivian. But none of them are really great. Neither is Vivian for that matter. Not all episodes are great though. And even though it’s not too outdated, there are way too many early nineties US politics related references.

Four episodes into Season 3 and I’ve only laughed a few times with Hilary and that’s about it. Hm. Should I continue?

The devastating First World War. Four years of chaos and death in Flanders Fields. And at the end there was the Spanish flu.

It’s quite surreal to watch this Flemish series during corona times. But it’s being removed from Netflix by the end of the month and the idea was to finish it before the many professional trips to Ypres next month.

The show is well filmed and there is much eye to detail. The research was done well and the period setting is great. But the over-abundance of storylines is getting annoying halfway into the show. World War I is a fascinating period in history and there are so many facets of the war that were never addressed in major Hollywood movies. But to pack them all into a ten episode series is just not good.

Even though it’s an international production, it is still a Flemish series and the focus is on the story of a Flemish family. This may not appeal to international audiences as they will not understand the many references. We see the family Boesman from Ghent at the outbreak of the war. Doctor Boesman is a gynecologist who wants to become a professor at the university and assumes the war will soon be over. His wife, who is part of the catholic bourgeoisie, is at his side. Their oldest son is ready to go to battle. Their younger son is more opportunist and prefers to stay home and continue his work as as sales person. The daughter is too young to do anything, but she aspires to be a doctor one day, like her dad.

The characters are intriguing and good guides through the thick storybook of little tales about the war. But at one point it’s enough. Everything is mentioned. Briefly and superficially.  The Flemish social pillar system (socialist/catholic/liberal); the subordinate role of women, the Flemish collaboration and resistance, the pop-up brothels for the English officers, the gas attacks, the smuggling, the espionage, the food shortage, the Christmas truces, the war tactics, … and they still add romance to it all as well.

To give you a spoiler example focussing on the daughter. She wants to become a doctor but can’t as a woman, betrays her best friend whose father is German, tries to run errands for the resistance, is attracted to the young German officer who occupies her house, smuggles something across the border to her Grandmother, has an abortion, flees to England, becomes a nurse, meets her brothers in battle, etc… She clearly is the main character of the show, but actress Lize Feryn can’t carry the show. Luckily she is assisted by two actors playing her parents. Wim Opbrouck is great as the collaborating gynecologist and Barbara Sarafian is at her best trying to support her husband’s bad decisions.

Unfortunately it’s not a must-see and even a drag by the end.

www.imdb.com/title/tt2253780

Yeh Ballet – **

Posted: March 19, 2020 in 2020, Drama, India, Musical, XX

There’s a debate on why the west love poverty porn from India more than the usual Bollywood fare. The Indians sure don’t understand. And the west may feel uncomfortable afterwards for having enjoyed a movie that focuses on the kids from the slums who succeed in something.

Yeh Ballet tells the story of two kids who take classes in a dance studio and get noticed by an extravagant Israeli-American ballet teacher. He sees potential in them and helps them get a grant to study abroad. But it is a long journey to get there. Both kids come from lesser of families who don’t appreciate their dancing skills and their struggle is pretty much their own.

It’s an okay movie. But it’s not well balanced. The movie feels like a fairy tale, so when you hear it’s based on true events it’s kind of hard to believe. A lot of dramatic elements are just mentioned briefly and it is not well indicated what the timeline of the story is. It’s an Indian movie so there are references to the Islam/Hinduism conflict and it’s clear what the director thinks about that by hearing the muslim kid’s lines. “We all have the same blood.” “Allah gave me the body of a dancer so it’s not haram to continue dancing.” This is interesting stuff, but we only get quotes or remarks. Something dramatic happens to the chubby friend of the muslim kid and even though that’s not the main story, it’s dealt with in a very rushed way. By the way, it seems like chubby people in Indian movies always play the silly/goofy sidekick like back in the Goonies days.. Showing the other family who is struggling they briefly mention the failure of the older brother to succeed in life and how they set all hopes on their dancing son to get to university. But what happened isn’t clear. Do we need to know? Not really, but still. The kid has an ailing sister, but it’s never really clear what her condition is. Do we need to know? Not really, but still. The dance teacher isn’t replying to his emails that he gets sent. Why is he so eccentric? Why did he accept a job in India? Why is he being such a prick to everyone? Do we need to know? Not really, but still.

It all feels very rushed, the story telling. And the dance sequences aren’t that spectacular to be fair.

But the acting of the two kids is good. One is debuting as an actor and as a dancer and he does an excellent job. The other is playing a fictionalized version of himself, which somehow feels less authentic. Yes, his dance performances are great and he can put on the best performing smile possible. But that doesn’t help in all scenes. Yet. Both are debuting actors and do a great job.

A miniseries would have been a better idea.

www.imdb.com/title/tt10230436

 

Modo Avião – *(*)

Posted: March 14, 2020 in 2020, Brasil, Comedy, X1/2

Ana is as smartphone addicted influencer who is working for a fashion company that uses her instagram profile to sell their items. The girl is so obsessed about social media that she’s constantly on her phone and causes many accidents with her car. After one of them is almost fatal, her mother arranges her to go stay with her grandpa in rural mountainous inland Brazil. Where there is no wifi.

The synopsis is okay. The start is kinda fun. Mocking the social media and the fashion world. And when the movie takes you to the beautiful Mantigueira Mountains you want to buy a plane ticket to Sao Paulo, rent a car and drive up to Belo Horizonte via the mountain road. The setting is gorgeous. And Sao Paulo looks fabulous as well. Larissa Manoela is doing a fine job as the main lead and it also features Fica Tudo Bem, the most catchy Brazilian indie pop songs of recent years.

But in the end, it’s a silly romcom that has little to no romance, but a fair amount of gentle humor. It’s for teenagers. Or for those who want to watch something that is so far away from the current news stories that it’s a relief.

www.imdb.com/title/tt10731748/

Miss Americana – **(*)

Posted: March 14, 2020 in 2020, Music, USA, XX1/2

This is a good music documentary.

It’s entertaining. And Taylor Swift is an interesting pop star.

Sure, it’s calculated. But the documentary was released several months after the release of her album. So, it’s not really a marketing tool.

Yet, you do want to listen to Lover after seeing this documentary and even purchase it. Because, it does have several good tunes (the title track, the new single The Man) and maybe the rest is interesting too.

For Tay Tay fans, this is a must. For Tay Tay hater as well. But most of all, this is for those people who can’t name five songs of Taylor Swift and need to know that she is a big artist. It’s a pretty honest overview of her career with all the non-musical issues that gave her headlines. She’s not as big in Europe as in the States, but this can help people appreciate her a bit more.

www.imdb.com/title/tt11388580

Confusing at first, but continuously intriguing as the series goes on, this third season of True Detective is a great watch.

Two kids get missing and detectives Hays and West have to figure out what happened when one of the children is found dead. During three different periods in time…  Once in 1980 when the crime happens. Another time in 1990 when a new element re-opens the case. And finally in 2015 when a true crime tv reporter wants to focus on the case by interviewing detective Hays, now in his seventies.

It’s slow and some of the dialogues sound wooden, but overall this is fascinating television. For starters, finally this is a crime story without a major plot twist at the end. It’s cool to actually feel rewarded for thinking along with the detectives. By episode 3 or so you kind of already know what happened and even though some details are missing, it’s great to see that what you are thinking is actually correct. This is great! Because that’s the most annoying thing about detective series: the ridiculous plot twists at the end. The end just makes sense. Which may be boring. But it’s great.

Secondly, the seventy year old detective Hays suffering from Alzheimers is another excellent addition to the story. The disease adds confusion to both the detective and the viewer, but also helps to concentrate on what is a real memory and what is not.

And ultimately, this is also a great depiction of relationships between people who seem to have a strong, yet unconventional bond. The partnership between the two detectives is captivating and the relationship between detective Hays and his wife is even more gripping. The professional and personal tensions between the characters are more exciting than the actual crime.

Maybe that’s the reason why this crime series is so great. The crime itself isn’t the main focus. And that’s what makes it different. And thus, good. However, this only works when the writing is clever and moreover when the acting is phenomenal. And that’s the case. Mahershala Ali is so incredibly good. He should have won awards for this part !!!!! That man is acting gold. Stephen Dorff is also impressive and should also be praised. Carmen Ejogo gives so much mystery to her character that it cannot just be directed. And Michael Graziadel only has two or three scenes, but the one in the bar is method acting perfection.

Yep.

Very much impressed.

ww.imdb.com/title/tt2356777

Camille – **

Posted: February 22, 2020 in 2019, Drama, France, War, XX

Camille is a young journalist who made it her ambition to be a war photographer. She is not that successful until she arrives in the Central African Republic, where a civil war is about the erupt between Muslims and Christians.

With little experience and strange looks from more established journalists she gets attached to some local students who allow her into their world.

When the violence erupts she has her first pictures published, which helps the French intervene in the country’s mess. The muslim Séléka, who – according to this movie – are raiding villages, murdering and raping christians, are stopped by the international presence. But this leads to christian Anti-Balaka gangs who take revenge at the muslim population. It’s confusing if you don’t know much about the civil war and this movie doesn’t do anything to help you understand it better. 

No. The focus is on this young woman. A girl really. But rather than giving some kind of insight on why she chose this path, we just get to observe her as she kinda takes sides with he Anti-Balaka. Just because she got connected to one of their new leaders, who she met as a student on her initial journey. 

The movie reminds you of Ghosts of Cité Soleil, where we also get to see how young European women feel the need to be part of some ‘exotic’ nation’s internal problems. We never get to learn why Camille prefers life in danger than staying at home with her family and friends. The town of Angers must be really boring for someone to want to risk getting killed almost every moment of the day. The movie ends with her saying she feels happier in the war zone. Maybe that’s true. We don’t know. She got killed. So we can only guess. 

It’s an interesting movie. It’s based on true fact, but fictionalized a bit as a lot needs to be assumed. The acting by the main actress is good. Not so much by the many extras. And as mentioned before, we don’t get to learn that much about Central African Republic at all. 

Tu viens, tu prends et tu parts. You come, you take and you leave.

This one line in the movie is quite powerful, because it is the truth. It’s said to Camille as a comparison to the French colonizers from not that long ago. It’s amazing how the woman can get the trust of these young people who are her age and live in a total different world. They may be as ambitious and as intelligent and also dream of leaving the place to look for happiness and recognition abroad. But they definitely don’t have the same opportunities. 

Somehow this movie could have been much more. 

www.imdb.com/title/tt9678892