Archive for the ‘Cop Movie’ Category

Okay, it’s not a must see action cop movie, but it doesn’t bore at all. And the story is set in Brazil, rather than LA or New York. So that’s a plus. It’s about a woman, who does a career switch by getting out of the tourism sector and into the police department. Before she knows it, she needs to participate in a special assignment. In a small town several miles from Rio De Janeiro, two kids get killed during a shoot out between rivaling gangs. The Rio special police force is sent over there to help find the criminals and bring back peace. However, the longer the elite team is there, the more they realize that those rivaling gangs are not the only criminal town and corruption is everywhere. But once they start investigating into it, they get a lot of opposition. The story isn’t original and it’s all very predictable. The presence of the woman (pretty, confident, a bit high maintenance) is first frowned upon by the macho police force, but of course she gets credit at the end. There are few surprises. You see it coming from miles ahead. But it’s entertaining. The acting is good though. That Cleo Pires is a joy to watch !



It starts off really good, this crime thriller set in Cairo. The plot is intriguing. The introduction to the story and its characters is told by images rather than by words. The mood is dark. The setting is, well not really exotic, but different and thus exciting. But somewhere halfway through the story it becomes less appealing. There’s repetition. There’s no suspense. The direction is less inspiring. The acting is still good though. And there’s anticipation until the end about how the revolution of 2011 will be presented.

That Fares Fares is doing a fine job as the troubled good cop/bad cop who needs to solve a murder committed in a hotel room. A starlet is killed and there’s a housemaid who’s seen the killer. But instead of looking for the housemaid, the detective has a different trace that leads him to a network of prostitutes who seduce rich men, frame them and then blackmail them…

It’s heralded as a film noir. Which is understandable. The cops are depicted as a bunch of corrupt, cigarette smoking, alcohol drinking, territory claiming gang of scumbags. They’re not roaming the streets of LA, but of Cairo. And the housemaids aren’t poor Mexican immigrants, but poor Sudanese immigrants. They all talk (shout) in Arab instead of English and the events occur during a rising revolution against the corrupt powers that be. It’s not the LA riots for a change. At one point the movie feels like an episode of a Scandinavian detective series. And guess what? The director happens to be from Sweden. Okay, he has Egyptian roots. But still.

The movie has a lot of potential, but the story is weak and unoriginal. Too bad. I’m sure it won’t be shown in Egypt.

The remarkable thing about this new police thriller from Belgium is that it starts of really well and then falls totally flat by the end. Sadly, because the trailer looks promising.

A notorious chief of police is retiring to start a political career. But on the eve of his retirement he is tempted to do one last drug bust.  Not in the city of his jurisdiction (Antwerp), but in Charleroi. However, something is wrong. No drug lab is found. No drugs are found. A lot of people get killed and the informant seems to have damaging information about the soon to be politician. This does not look good…

Again, the movie starts of great. The tension and intrigue are built up well. The acting is good (Peter Van Den Begin is excellent in these kind of roles). Some of the scenes are shot in unique ways. The editing is excellent. The story lends well to an interesting collaboration between the movie industries from the north (Flanders) and the south (Wallonia) of the country.

But it’s all a bit predictable, and as the story comes to a climax it totally bombs.

Ryan Gosling and Russell Crowe are quite the entertaining duo in this new take on the classic buddy cop movie. They aren’t cops. One is a very bad private investigator and the other is a messenger (who gets paid to – violently – give messages). They meet when a young adult called Amelia pays Crowe to beat up Gosling and tell him to stop following her. Soon both team up to look for Amelia again, because she has something that is so important that everyone around her ends up dead.

The story is ABSURD, but that’s not really important. You want to watch it for the atmosphere and setting (late seventies LA), the weird dialogue between the two characters (not LOL funny, but forehead frowningly funny), the cool of Crowe and the craziness of Gosling. It’s a pretty stupid flic, but the movie’s over before you know it and doesn’t bore at all.

But I’m not sure not everyone will like the little girl (Gosling’s daughter) speak profane language and get in all kinds of inappropriate situations. It only comes with one good repetitive joke (the ‘and so’ for those who have seen the movie). So not sure if that was necessary.

Sicario – **

Posted: February 27, 2016 in 2015, Cop Movie, Drama, USA, XX

“If you can convince the 20% of the American population not to buy drugs, then we wouldn’t have to do this” is an all to common line in movies about the war on drugs.

This time it’s coming from a special force unit leader (Josh Brolin) who addresses a bold and brave FBI-agent after an unorthodox operation near the Mexican border.

The FBI agent is played by Emily Hunt, who is excellent at being confused for about the entire movie. It’s not clear to her (and the audience) why she needs to team up with a former Mexican district attorney turned hitman (a great Javier Bardem).

It’s a negative movie with no humour and no hope, but it has its thrilling moments and the atmosphere is quite suspenseful. The scenes are long and well shot. The direction is great. The soundtrack efficient. The acting top notch. The story not so much.

White Chicks – **

Posted: January 18, 2016 in 2004, Comedy, Cop Movie, Slapstick, USA, XX

“A guilty pleasure is something, such as a movie, a television program or a piece of music, that one enjoys despite feeling that it is not generally held in high regard.”

There you go. A definition from Wikipedia. They should add ‘like the American buddy cop movie White Chicks’. 

It starts off really bad. Marlon and Shawn Wayans play FBI-agents who are in disguise (as very stereotypical latino shop owners) and take on the wrong suspects. It’s a terrible opening scene. It’s tough to sit through, because it only promises crap. But once they disguise as white chicks it gets better. I mean, there’s two black guys dressing up like ugly white girls and acting all stereotypical. It works.

Fuck the critics. Watch it. And laugh. And don’t analyze it too much. It’s just fun. And it has Marlon Wayans and Terry Crews. And Jennifer Carpenter (Dexter‘s Debra)! It doesn’t have to be drama or satire all the time. Damn, maybe I’m ready for Adam Sandler now.

Waste Land – *

Posted: September 3, 2015 in 2014, Belgium, Cop Movie, Crime/Detective, Drama, Flanders, X

The synopsis and trailer looked so promising. A film noir set in multilingual and multicultural Brussels about a troubled detective investigating the murder of a young Congolese man. But the end result is disappointing. In fact, the end result is close to being plain crap.

Luckily there is Jeremy Renier, one of the best Belgian actors around. He carries this movie. A great feat, since the shooting must not have been an easy job. He was a last-minute replacement for Matthias Schoenaerts and his character is supposed to be Flemish. There’s a reference to his character being Flemish early on in the movie which doesn’t make sense at all because Jeremy is excellent as a typical French-speaking Bruxellois who can converse in Flemish when needed. But that’s a minor cringeworthy point. There’s so much more in this movie that doesn’t make sense at all, that it’s really tough to sit through.

First, the director doesn’t seem to know what kind of movie he wants to make. It’s a mix of detective thriller and psychological drama and it fails in both genres. There’s nothing thrilling about it and the drama never captivates. A good director gets you in the mood for a certain genre (Scorcese) or combines it with so much flair that the viewer is hooked from the beginning (Soderbergh). Secondly, there are so many superfluous scenes that add nothing to the story and are plain annoying. Why do we need to see Nathalie Broods nipples? Okay, she’s in a sauna and you’re naked in a sauna. But why are they even in a sauna? What’s the point of that scene? And the recreational drug use? Why is that necessary to show? What does that add to the story? It’s cliché. It’s been done before. Many times. And better. But finally, the most terrible thing about this movie is the script and the story. If it were a book, you would have stopped reading after three chapters.

Luckily there’s Jeremy Renier. As mentioned before. And Geert Paredis who was the art director. Because despite the crappy storyline, you can still enjoy the visuals.