Archive for the ‘4 – Year Of Production’ Category

This stand up comedy show really surprised me. Gad Elmaleh has never been able to make me smile in French, but this English show made me laugh out loud a lot. Just because it’s so recognizable what he is referring to. This is exactly the same stuff I tell guests from the states who visit France. So, no, he’s not original. If you’ve been traveling with me and then you see this show, you’d think he stole my jokes. But hey, he’s performing on stage and has a netflix show. So there you go! Way to go.


Ha! This is good. If you like Ricky Gervais that is. It’s not excellent. It’s not really a stand up comedy show. It’s more of a listen to Ricky Gervais give his opinion about the world we live in – show. There are too many serious moments. It’s also too much focussing on getting back at twitter trolls who have annoyed him in the past couple of years. Get over it, Ricky! And why isn’t there any joke about the yearly cruel dog festival in China? That part is too preachy man. Great of you to make it your cause, but you’re a comedian. Find at least one joke that works in the serious context. That said, there are enough good remarks throughout the show.

Elio Perlman is a cosmopolitan kid who resides with his parents in their fancy summer-house somewhere in the north of Italy. Most of the time he’s just bored. He excels in the arts. Plays the piano, the guitar, reads a lot of books and is a bit of loner. His father does some archeological research in the area and has invited an American man to come help him. The man is dashing. He has the whole village under his charm. From the teenage girls to the poker playing seniors. However, this is Elio’s story and Elio falls in love with him.

The directing is fine. The shots are great to look at. The soundtrack really works well. Combining piano compositions with silly 80s italo-disco. The acting by newcomer Timothée Chalamat is remarkable. So different from the shy and uncomfortable appearances on talk shows. The movie makes you want to book a trip to Italy and it makes you want to retreat to go write a book or something and to fall in love with the first attractive stranger that comes around.

BUT. It’s a silly story. Boy falls for man. Man first keeps a distance. Boy starts exploring his sexuality with his best female friend. Man then lures boy into his bed. Boy dumps girlfriend. Man and boy have a holiday fling. The end. Two and a half hours long! Yawn. Yes, it’s a bit awkward to watch a blossoming relationship between an adolescent boy and a man. But watching Lolita is also awkward. But hey, it’s all consensual. The kid is a cool kid to empathize with. The man however is boring as hell. Why on earth is this kid interested in this man? That’s the big failure of this movie. The object of love and lust has the charisma of an abricot. Or no. The abricot has more charisma. Watch the movie to find out why.

Disappointed. The story is boring. The audio-visuals are beautiful. 

No theatrical release in Europe for Annihilation. It’s still playing in the US though. But with little success. So in comes Netflix, who’s distributing it all over the world via their streaming service. Great!

This is an entertaining science fiction adventure drama about a biologist who joins a team of women on a mission to discover what exactly is hidden in the Shimmer, a weird extraterrestrial phenomena covering a natural park and spreading fast. The biologist is determined to find out what damaged her husband, who joined a previous mission and is now put in quarantine.

Nathalie Portman is excellent as the biologist. She’s a great asset to this production. But you really want to watch the movie for the atmosphere it evokes. The directing is great. The build up as well. The haunting soundtrack helps as well. It’s more accessible than you’d think. The horror and suspense aren’t scary, but present nevertheless. The story makes more sense than the one in Arrival. It’s all (science) fiction, but at least the dialogue and actions feel real. It’s good to see five women go on an adventure (strangely enough quite unique) and it’s great to see a movie where the editing doesn’t make you naucious.

It’s not an instant cult classic, but it could become one. For now it’s just good entertainment.

The Theory Of Everything – **

Posted: March 14, 2018 in 2014, biopic, Romance, UK, USA, XX

A young, beautiful, christian, language student falls for a funny, nerdy, atheist scientist. But soon he’s diagnosed with a muscle disease and only has 2 more years to live. They get married and try to make the most of it. However, the dude continues to live. And becomes a popular scientist, publishing a best seller et al. She could easily cheat. And she has a love interest! Her choir leader and family friend Jonathan!. But she remains loyal. The scientist, all paralyzed, gets along really well with his new nurse, who he seems to be able to communicate with well (via computer screen technique). Will he cheat?

Yep, it’s that kind of movie: a romantic drama!

Never really cared about seeing this movie, but hey, Stephen Hawking died today and I hardly know anything about him. So, it was worth the attempt. Not that this movie helped. I know as little about him now as before. Kudos to the main actors. Oscar-winner Eddy Redmayne did a Daniel Day Lewis and did it well. And Felicity Jones is the real star of the movie. She shines in every scene. Just for the acting sake and because Hawking died today: **.

Review after three episodes (six more to go) – *(*)

Part fantasy horror film, part mystery thriller. The first three episodes are confusing. Which is the whole point. The main character has amnesia, but is the key witness in the disappearance of Thomas De Geest. She’s been interred into a psychiatric hospital and gets questioned by both her shrink and a detective. She’s an odd woman. She claims to have amnesia, but the viewer gets to see all kinds of memories in flashback. Why? She’s clearly lying to the shrink and the detective as she remembers snippets of what happened to her in the past and then claims to not know anything. But why?

There are nine episodes. It was a big success on television. It has a lot of renowned actors in the cast. And it is somehow intriguing. Maybe it’s worth watching it until the end. But my god, is it boring. And slow. And the set design is terrible. Several scenes don’t make sense. Give me realism over fantasy anytime. There is no suspense, just weird scary scenes stolen from the vast catalogue of horror movies. Even if you’re not a fantasy film lover, it all feels like it’s been done before a zillion times. A haunted house, a devilish child, electricity blackouts, cape wearing figures, scary dolls, a mysterious man in the forest. Add a cheating husband, a sexually comfortable sixty year old, a foreign looking caretaker/gigolo, weird patients in the psychiatric ward, etc… It’s a mess.

Review after nine episodes – *(*)

So yes, it’s worth watching the series until the end. The final episode does have some surprises in store. But you can’t really talk about a plot twist. The actual plottwist happens at the end of episode 5. It’s not a big surprise for the viewer, but it kind of changes the series from a fantasy thriller to a regular detective drama. The flashbacks are no longer memories of the main character, but rather added for the viewer’s benefit. Which feels like an inconsistency. The acting is ok. But it’s so boring at times. And all these hyped kudos to the director for showing a) depth to the characters and b) beauty in the visuals. Bull. The characters are pretty one-dimensional and the scenes look messy. Also, the way psychiatry is depicted here, is terrible. It’s stereotypical and unoriginal.

Sometimes, a hype is only a hype if you want it to be.

Not all is funny, but some bits are hilarious. Chelsea Peretti just talks and talks. There’s not really a concept or so. It’s like she’s on a high and says all the funny things that ever made people laugh around her. Which is fine. Because there are a lot of things that are funny. She has a quirky way of telling stories and she’s goofy.

saw it on netflix, but it’s on youtube as well: